摘要
在参观过秘鲁特鲁希略(Trujillo Peru)昌昌城(Chan Chan)考古遗址之后,总让我忍不住时常回味这座前哥伦布时期建筑的细节。我常想,在当时,空间的概念是如何与其文化的表现形式相结合的。奇穆渔民渔网的浮雕随处可见,这吸引了我全部的注意力,因为我知道,在某个时候,我会把这类元素用在我的某个作品中。终于机会来了,一位客户全权的信任让我有机会完全自主设计他的海边住宅。他渴望回到自己的国家度过生命最后的日子;这个房子很简单,只有一间卧室、一个酒吧间和一个车库,也许以后可能会将其改造成一个多种用途,拥有各自功能区域的房子。
A visit to the archeological site of Chan Chan in Trujillo Peru allowed me to contemplate the details of this pre-Columbian architecture. How at that time the conception of space was aware of the manifestation of its culture. The network of earth that simulates the nets of the Chimú fishermen completely captured my attention as a fantastic way to represent the catchment of dreams, since themI knew that at some point I would use them in a project. The time finally arrived with the client and the perfect commission, a beach residence with total freedom for design. The client, a man who lives alone and with the desire to return to his country to spend his last years of life;the program, simple as having only one bedroom, a bar and a garage, which would later be transformed into a multipurpose along with all typical functional spaces of a house.
出处
《世界建筑导报》
2021年第4期24-25,共2页
World Architecture Review
