摘要
1938年抗战初期,郭沫若的两次寓湘之旅,是其在上海、武汉时期积极将浪漫主义融入动员式文艺活动的短暂间歇。在湘期间,因于复杂政治现实和残酷战争灾害,郭沫若一度表现出了对于宏大主题观念的疏离,而呈现有对于世俗生活日常、战争灾难记忆的偏移。其聚焦视野,由作为宣传观念的"应然",转向具体经验的"实然",由宏大抒情的"大我",转向个体经验的"小我",构成了他战时浪漫倾向和乐观情绪的休止,也显现出抗战文艺自身存在的思想张力和更多书写可能。
In 1938,at the beginning of the Anti-Japanese War,Guo Moruo went to Hunan twice,which was a short break of his romantic literature activities in Shanghai and Wuhan. Because of complicated politics and brutal wars, Guo Moruo once stood aloof from the concept of grand theme,and paid attention to secular life and war disasters. His focus has shifted from the "what should be" as propaganda concept to the"what is"as concrete experience,and from the grand and lyrical"big self"to the individual worldly "little self",constituting a break of his romanticism and optimism during the war and showing more thoughts and writing possibilities of the Anti-Japanese literature.
作者
张弛
ZHANG Chi(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)
出处
《中国文学研究》
CSSCI
北大核心
2021年第3期153-160,共8页
Research of Chinese Literature
基金
湖南省教育厅创新平台开放基金项目“近代湖南形象的历史书写与文学想象”(17K060)。
关键词
浪漫主义
抗战文艺
郭沫若
寓湘之旅
romanticism
Anti-Japanese literature
Guo Moruo
journey to Hunan