从“翻译诗学”到“比较诗学”与“世界诗学”--建构中国文论国际话语体系的路径与指归

From“Translated Poetics”to“Comparative Poetics”and“World Poetics”:the Construction of the International Discourse System of Chinese Literary Theory

作为中国本土诗学思想的结晶,中国古典文论拥有自己独立完整的诗学话语体系,其对外翻译与传播是建构中国文论国际话语体系的关键。鉴于当前中国古典文论基本囿于本土而国际文化场域又以西方为中心的现状,中国文论国际话语体系的建构应以中国古典文论的对外译介为切入,逐步实现其从本土诗学到“翻译诗学”,再到“比较诗学”与“世界诗学”的跨越,由此推动中国古典文论从本土走向西方、进而走向世界。而在此进程中,以中国古典文论为根基的整个中国文论可以逐渐在国际文艺理论界发出自己的声音,获得国际话语权力,赢得国际话语地位,从而为中国文论国际话语体系的建构奠定坚实的基础。

As the cream of the indigenous Chinese poetics,the classical Chinese literary theory constitutes an independent discourse system of its own.The translation and transmission of the classical Chinese literary theory in foreign languages,which is far from being sufficient at the present time,is crucial to the construction of the international discourse system of the Chinese literary theory in the world cultural field dominated by the West.The article argues that the classical Chinese literary theory should undergo the gradual transformation from the " Translated Poetics" to " Comparative Poeticsand "World Poetics" in proper sequence in order to be transmitted from the native land of China to the Western world and the whole world ultimately,in the process of which the classical Chinese literary theory could make its voice heard in the international literary field and gain its international power of discourse,thus laying a solid foundation for the construction of the international discourse system of the Chinese literary theory in the long run.