摘要
This essay seeks to historicize Lettrist activity in France and to situate Lettrist aesthetic productions and destructions in relation to the memory of German Occupation of France during World War II,and to the violent outbursts and acting out of the Lettrists'contemporaries.Isidore Isou and others belonged to a rather unique generation in the history of France-a generation that caused adults a great deal of concern as young men and women committed crimes and acts of violence at unprecedented rates.Attending to the cultural historical specificities of the Lettrists and other young troublemakers in postwar France,I argue that Lettrism,as an aesthetic idea,could never have gained or sustained momentum without the mid-century fait divers,a specific genre of miscellaneous news story.In the years immediately following the end of World War II,the raison d'etre of the young Lettrists in France could perhaps be defined as the construction of situations that would generate banal news items of a very specific nature.Refraining Lettrist activity as essentially compatible with the raw material for faits divers,as defined by Roland Barthes,helps us to appreciate the somewhat-surprising interest the group generated at a historic moment when France had never been more concerned with the gratuitous misdeeds of young men.
