“凤凰男”视角“围城”构形及其空间诗学研究

The Configuration of"Besieged City"in the Perspective of Phoenix Man and Its Spatial Poetic

近十年“凤凰男”主题剧成为中国家庭伦理剧的一个重要分支。基于剧中“凤凰男”与“孔雀女”人物设定及其角色功能承载,在跨媒介中国当代文学叙事中,“孔雀女”成为“凤凰男”的“围城”对象、形式与内容。性别化、欲望化与结构化的“孔雀女”城市构形,表述的是“凤凰男”出身原罪、阶层流动及文化身份认同问题。源于城乡二元户籍制度与城乡社会发展失衡,基于历史后视角叙事,以“凤凰男”为中心的“孔雀女”与“乡村恋人”双向空间化的女性想象与叙述,内寓城乡空间诗学的结构性伦理在场。

In the past decade,the theme of phoenix man family ethics TV drama has become an important branch in Chinese contemporary family ethics drama.Based on the role setting and narrative function in the intermarriage between"phoenix man"and"peacock girl",in the transmedia storytelling Chinese contemporary literature narrative,"peacock girl"becomes theirs object,form and content in"Phoenix Man"besieged fortress.Through the urban configuration of the"peacock girl"as carrierized,desire-oriented and structured,which represented the problem of"original sin",class mobility and cultural identity of"Phoenix Man"originated from the urban and rural dual household registration system and the historical imbalance of urban and rural social development,in the"love triangle"(peacock girl-phoenix man-country lovers)two-way gender space imagination and its narrative,which characterized the presence of the ethical structure of space poetry between urban and rural areas。