接受学视域下《桃花扇》之注读语境与评点互动--以嘉庆刊本《桃花扇传奇后序详注》为例

Research on the Interaction between the Reading Context and Its Comment of The Peach Blossom Fan from the Perspective of Acceptance:Taking Jiaqing's Edition of The Detailed Notes about the Postscript of The Peach Blossom Fan as an Example

陈宸书编注嘉庆刊本《桃花扇传奇后序详注》,是关乎《桃花扇》传奇及其接受研究的注释学文献,具有独特的研究价值,目前尚未有人关注。陈宸书对吴穆《<桃花扇>后序》做了自注性修改和详细注释,阐释《桃花扇》文本的经典性及《后序》的戏史属性。通过对《详注》刊本心态、作者身份及与《桃花扇》《<桃花扇>后序》相关的时代语境与文本价值的研究,可以从接受视域进一步考量《桃花扇》的注读语境与评点互动,借此讨论编注者的创作意图,以及原典、序跋与评注本的内在关系,反思基于《桃花扇》以戏拟史延展出的清人立场与态度。

The Detailed Notes about the Postscript of The Peach Blossom Fan,annotated by Chen Chenshu,is a literature about Annotation Science with unique value of the research about the Peach Blossom Fan.Published in the Jiaqing period of Qing Dynasty,it has not been paid enough attention.Chen makes a self-explanatory revision about the Postscript which wrote by Wu Mu and explains the classic feature of the Peach Blossom Fan and the text property of drama history in the Postscript.Through the consideration of the mentality of the edition,author identity,reading context and text value related to Peach Blossom Fan and Postscript of The Peach Blossom Fan,we can further consider the interaction between the context and comments of Peach Blossom Fan from the perspective of reception.We can further analyze the creative intention of the annotator,as well as the interaction between the original book,preface and postscript and commentary,and reflect on the attitude and stance of the Qing Dynasty towards The Peach Blossom Fan.