摘要
每一历史时期不同的经济状况决定着这一时期的主流思想,每一种思想又影响着艺术表现的内容与题材。在汉代文化审美传统形成的过程中,图像则是最直接的表现意识形态的产物,更接近一个民族审美精神的集体无意识领域,更加真实地再现当时的客观生活。通过对汉代各个历史时期不同风格图像的深层研究,结合同时期政治经济发展的历史背景,可以更好地领悟到汉人审美观念中天人关系的原型构造。
In each historical period of the Han Dynasty,different economic conditions determine the mainstream thought of this period,and each kind of thought affects the content and subject matter of artistic expression.In the process of forming the cultural aesthetic tradition of the Han Dynasty,image is the most direct product of expressing ideology,which is closer to the collective unconscious field of a national aesthetic spirit,so it will more truly reproduce the aesthetic spirit of that time Objective life.And through the symbolic world depicted in the image,we can better understand the archetypal structure of the relationship between heaven and man in the aesthetic concept of Han people.
作者
冯利源
郭思思
FENG Li-yuan;GUO Si-si(School of fine arts, Dalian University,Dalian Liaoning 116000, China)
出处
《大连民族大学学报》
2021年第4期362-366,共5页
Journal of Dalian Minzu University
关键词
社会背景
经济基础
汉画像
social background
economic foundation
Han Dynasty portrait