“尚武”传统与身体表达——以纳西族仪式舞蹈为例

“Martial”Tradition and Bodily Expression:Taking Naxi Ritual Dance as an Example

身体表达是经过长期的历史层累和文化传统积淀而形成的身体记忆。仪式舞蹈的身体意象性表达是部族的精神意念,传达了集体性的"自我"精神表征。它随着社会的演进有所发展变化,因而显示出不同的阶段性特质。纳西族仪式舞蹈的身体叙事是仪式文本中重要组成部分。它保存了具有游牧社会"■"动力定型的身体图式,传承了"尚武"审美系统的身体文化符号。作为民族仪式舞蹈的研究,应以舞蹈动作形态的本体性分析为基础,将身体表达置于本土文化语境中,关注历史中身体元语言的动态变化。运用"元叙事、身体图式、身体语言"等概念工具,梳理仪式舞蹈形态变迁,分析身体动作与族群意识机制与内核之关系,阐释身体记忆所保存的具有历史性、民族性和社会性的美学内涵。

Bodily expression is a body memory formed through the accumulation of long-term history and cultural tradition.The body imagery expression of ritual dance is the spirit of tribe,conveying the collective spiritual representation of"selves".It has developed and changed with the evolution of society,so it shows different phasic characteristics.The bodily narrative of Naxi ritual dance is an important part of the ritual text.It preserves the body schema with the"■"power of nomadic society and inherits the body cultural symbols of the"martial"aesthetic system.The study of ethnic ritual dance should be based on the ontological analysis of dance movement,and the bodily expression should be put in the local cultural context,and attention should be paid to the dynamic changes of body metalanguage in history.Using the conceptual tools of"meta-narrative,body schema and body language",this paper analyzes the changes of ritual dance,the relationship between body movement and ethnic consciousness mechanism and its core,and explain the historical,ethnic and social aesthetic connotation preserved by body memory.