摘要
《楚辞》中的艺术描写,常常与身体言语密不可分。屈原借助身体言说传情答意,形成了一种特殊的话语体系--身体语言。它是屈原作品的重要组成部分,既包括屈原自身的动作与表情,也涵盖了其个人衣饰,具有至关重要的文学功能与美学价值。分析屈原的“身体语言”,有助于我们深入了解屈原借助于身体语言这种有意味的形式对自我内心情感世界波澜的勾勒与刻画。此外,也使我们认识到屈作中打破传统意义上语言边界的身体言语具有动态与静态、自然与艺术以及理想与现实相统一的艺术美。
The artistic description in Chu Ci is often inseparable from body speech.By means of body words,Qu Yuan has formed a special discourse system--body language.It is an important part of Qu Yuan's works,including Qu Yuan's own movements and expressions,as well as his personal clothes and ornaments,and has vital literary function and aesthetic value.By analyzing Qu Yuan's"body language",it is helpful for us to make clear that Qu Yuan draws on the meaningful form of body language to outline and depict the waves of the inner emotional world of himself.In addition,it also makes us realize that the body speech,which breaks the traditional language boundary in the flexion works has the artistic beauty of dynamic and static,nature and art,and unity of ideal and reality.
作者
金健萍
Jin Jianping(Shanxi Normal University,Xi'an,Shanxi 710119)
出处
《职大学报》
2021年第4期14-19,共6页
Journal of the Staff and Worker’s University
关键词
屈原
楚辞
身体语言
艺术美
Qu Yuan
Chu Ci
body language
artistic beauty