崂山“充州小东门董师父赠云岩子《酹江月》”词刻研究

A Study on the Inscription of“The Moon on the River by Master Dong of Xiaodongmen Zhongzhou to Yunyanzi”in Laoshan

崂山华楼宫外凌烟崮上全真道士词《酹江月》石刻因刻写者水平、风化残损和道教术语等因素影响,长期以来在不同文献中于词作断句、辨字方面具有较大差异,而在词义阐述等方面更无详细研究。考据该词创作时间、作者身份,辨析词作断句、格律和用字,进而阐述全真道教修行求道的观念精神和法门途径,对了解元代崂山道教的内外交流、门派归属和发展情况具有重要意义,也是完善崂山区域金石研究不可或缺的部分,对丰富崂山人文历史文化极具价值。

Due to the influence of the level of the engraver,the erosion effect and the Taoist terminology,the stone inscriptions of the Quanzhen Taoist lyric The Moon on the River on Lingyangu outside Hualou palace in Laoshan has long been quite different in the aspects of sentence segmentations and word recognitions in different literary versions.Furthermore,there is no detailed study on the interpretation of the meaning of words.Based on the time of creation and the identity of the author,this paper analyzes the punctuation,rhyme and the use of words,and then expounds the concept,spirit and method of Quanzhen Taoism,which is of great significance to understand the internal and external communication,sect affiliation and development of Taoism in Laoshan in the Yuan Dynasty.Significance is also an indispensable part of improving Laoshan area metal and stone research,and it is of great value to enriching Laoshan humanity,history and culture.