身体叙事学视域下的章明电影

On Zhang Ming’s Films from the Perspective of Body Narratology

身体叙事学强调以具有情境性、关系性的身体感知作为叙事的动力,体现叙事的内涵。“身体”是阐释章明电影的美学风格与独特价值的重要视角:通过非职业演员的运用,使人物回归到未被规训的身体感知;“看”的动作将身体呈现为一个“感官的场所”,将即时性的感知作为叙事动力;身体具有媒介作用,能够通过感知具体的身体情境理解丰富的文本内涵。

Body narratology emphasizes the use of contextual and relational body perception as the driving force of narrative,which reflects the connotation of narrative.“Body”is an important perspective to explain the aesthetic style and unique value of Zhang Ming’s films:through the use of non-professional actors,the characters return to undisciplined physical perception;the action of“seeing”presents the body as a“sensory place”by using instant perception as the narrative motivation;the body has a media role and can understand the rich textual connotation by perceiving specific physical situations.