摘要
摄影出身的导演张艺谋,对色彩有着天然的敏锐与直觉,其擅长将体现中国传统元素的色彩有机融入到影视创作中去,大到影片的背景、叙事情节,小到片中人物的服装、佩饰等等,可谓无处不显其对色彩的看重与投入。从影片《黄土地》、《红高粱》,到《满城尽带黄金甲》、《影》,张艺谋通过一部部大显色彩之妙的巨制,游刃有余地运用色彩艺术,表达个人创作的意图、影片主旨,向观众诉说着一个个精妙绝伦的中国故事。
Director Zhang Yimou,who was born in photography family,has a natural keenness and intuition for colors.He is good at integrating colors that reflect traditional Chinese elements into film and television creation,ranging from the background and narrative of the film to the costumes of the characters in the film,accessories and so on,it can be said that its value and devotion to color are everywhere.From the films"Yellow Land"and"Red Sorghum"to"Full of Golden Armor in the City"and"Shadow",Zhang Yimou has used color art to express his personal creative intentions through a series of hugely colorful works.The main theme and narrative of the film tell the audience a wonderful Chinese story.
作者
张凡
宋园园
Zhang Fan;Song Yuanyuan(Shihezi University,832000)
出处
《新疆艺术学院学报》
2021年第3期106-113,共8页
Journal of Xinjiang Arts University
基金
中国博士后科学基金第64批面上资助项目“区域文化视野下新疆兵团文学研究”(2018M643773)、教育部人文社科一般项目“新疆兵团红色文化资源传承与传播研究”(19YJA850016)、兵团社会科学基金项目“文化自信视域下提升兵团文化传播力有效途径研究”(19YB32)、兵团社会科学基金项目“兵团红色文化资源融入兵团大学生思想政治教育研究”(20YB01)阶段性成果。
关键词
文化传承
张艺谋电影
色彩叙事
隐喻表达
Cultural Inheritance
Zhang Yimou's Film
Color Narration
Metaphorical Expression