魏晋南北朝相和歌辞之“四方”书写--论“四方”与情感牵系

The Four Directions Writing of Xianghe Songs in Wei,Jin,Southern and Northern Dynasties--On the Sifang and Emotional Linkage

诗歌中关于“四方”的书写从先秦至魏晋南北朝为逐渐演变之过程,以《诗经》《楚辞》及郭茂倩的《乐府诗集》为代表,从《诗经》《楚辞》的“四方”表方位名词及文化意蕴,到魏晋南北朝相和歌辞诗人将方位与情感相构建观其流变。魏南北朝是相和歌辞盛行的时代,其中关于“四方”的书写出现次数较多,诗人将东、西、南、北四个方位与情感相联系且有规律可循,即诗人的“四方”情感与“地中情结”相关。

The writing about the Quartet in poetry has evolved gradually from the pre-Qin to the Wei,Jin and the Southern and Northern Dynasties.It is represented by the"Book of Songs","Chu Ci"and Guo Mao-qian's"Yuefu Poetry Collection",and from the Quartet of"The Book of Songs"and"Chu Ci"to express the nouns of position and cultural connotation,poets from the Wei,Jin,Southern and Northern Dynasties constructed the position and emotion to observe its evolution.The Wei,Southern and Northern Dynasties were the era when Xianghe poems were popular.Among them,the four directions of writing appeared more frequently.The poets connected the four directions of east,west,south,and north to emotions and there was a rule to follow.This rule is the poet's four directions.Related to the earth complex.