表层结构与深层结构下的《牡丹亭》

The Peony Pavilion under the Surface and Deep Structure

随着西方叙述学理论的引进,在运用西方叙事学理论研究中国古典小说《牡丹亭》的结构,通过对主要人物与主要情节的分析,分析人物对情节的推动作用,并结合普落普的理论以及列维·斯特劳斯的结构主义学理论,分析故事内容体现的功能,再将情节的序列化打乱,重新进行编排,以图表的形式整合重要情节,以此发现文本表层结构下掩盖的深层结构,体现当时特殊的文化意义:即好的开端不一定导致好的结局,坏的开端不一定导致坏的结局,反而违背礼教的开端往往收获到意想不到的结局。

With the introduction of western narrative theory,the purpose of this paper is to apply the western narrative theory research of Chinese classical novels.The structure of the Peony Pavilion,through the analysis of the main characters and the main plot,analysis of the characters of plot,and combined with the general fall general theory and Claude Levi-strauss's structuralist theory,analysis the story content reflect function.Then the plot serialization upset,to layout,integration in the form of chart important plot,to find the deep structure of text surface structure under cover,embodies the special cultural significance,namely good start does not necessarily lead to a good ending,a bad start does not necessarily lead to bad ending,instead violate moral codes beginning often harvest to unexpected ending.