中国武侠电影动作叙事的审美形态演变

Evolution of the Aesthetic Form of Action Narration in Chinese Martial Arts Movies

百年中国武侠电影动作叙事的审美形态演变,并非完全按照"写意""写实""写趣"的顺序依次展开,而是呈现出从"写意-写实-写意"的形态轮回到"写意""写实""写趣"多元混合的基本特征。这种演变态势,既是"周期性"特征和类型"轮换""互渗"等类型片普遍规律的表现,也是电影科技不断进步的必然结果。但电影科技作为核心动力,只是提供了演变的可能性或者说客观条件,电影制作主体的"过往"文化经验与"当下"文化环境之间的对话与融合,才从根本上决定着中国武侠电影动作叙事的审美取向和形态选择。

The aesthetic form of action narration in Chinese martial arts movies in the past century has not developed strictly in the order of being“freehand”,“realistic”and“funny”,but presents the basic characteristics of the form from being“freehandrealistic-freehand”to the mixture of being“freehand”,“realistic”and“funny”. This kind of evolution is not only the expression of the general law of“cyclicity”and types of“rotation”and“mutual infiltration”,but also the inevitable result of the continuous progress of film technology. However,as the core power,film technology only provides the possibility of evolution or objective conditions. The dialogue and integration between the“past”cultural experience of the film-making subject and the“present”cultural environment fundamentally determines the aesthetic orientation and form choice of action narration in Chinese martial arts movies.