建设中国当代中和论美学——从新实践美学的角度看

Building Contemporary Chinese Moderation Aesthetics: in Perspective of New Practical Aesthetics

新实践美学应该坚持建设中国特色当代美学及其话语体系的理论和实践,继承发扬中国古代传统美学思想,建设中国特色当代中和论美学。中国当代中和论美学应该是继承和发扬中国传统美学思想中的“中和”“中和为美”思想的中国特色美学体系。中国当代中和论美学应该是以马克思主义的实践唯物主义的唯物辩证法改造的中和论美学,把美和审美及其艺术的生成和发展当作是对立统一的社会实践过程。中国当代中和论美学应该继承发扬中国传统美学思想的“阴阳和合”的观点,形成一个统一的完整的美和审美及其艺术的范畴体系。中国当代中和论美学应该继承发扬中国传统美学思想的“和而不同”的观点,构成一个感性与理性、差异性与共同性、自然与社会对立统一的多元开放的中国特色当代美学体系。

New practical aesthetics should adhere to the theory and practice of constructing contemporary aesthetics with Chinese characteristics and its discourse system, inherit and carry forward the moderation aesthetics of Chinese traditional aesthetics thought, and construct the contemporary moderation aesthetics with Chinese characteristics. Chinese contemporary moderation aesthetics should be the aesthetic system transformed by the Marxist materialist dialectics of practical materialism,with the thoughts of “moderation” and “moderation as beauty”,with the theory of “Yin and Yang harmony” and with the theory of “harmony but difference” of Chinese traditional aesthetic thought.