摘要
德里达基于解构主义的立场展开其幽灵学的文化批判,他的“幽灵”是马克思“共产主义的幽灵”在新的历史语境下的出场形态,德里达正是从解构主义出发以文化批判的方式重新诠释马克思主义。德里达文化批判的关键词是异质、激情和延异,这也是他解构主义立场下文化批判的展开方式。德里达所处的时代“终结论”盛行,他公开为马克思主义辩护,并对资本主义的大众文化进行尖锐的批判,最终指向于建立一个正义的、“弥赛亚性”的“新国际”。
Derrida develops his cultural criticism of phantomology from the standpoint of deconstruction.This theory is a new form of Marx’s“ghost of communism”in the new historical context.Derrida reinterprets Marxism from deconstruction perspective with cultural criticism whose Key words include heterogeneity,passion and differentiation.This is also its way of development mode.Derrida’s“terminationism”prevailed in his era.He openly defended Marxism and sharply criticized the mass culture of capitalism,and ultimately pointed to the establishment of a just“messianic”new international.
作者
白宇辉
BAI Yu-hui(Heilongjiang University,Harbin 150500,China)
出处
《哈尔滨学院学报》
2021年第8期8-11,共4页
Journal of Harbin University
关键词
德里达
解构主义
幽灵学
新国际
Derrida
deconstructivism
phantomology
la nouvelle internationale