后现代崇高美学的救赎——基于利奥塔崇高美学的分析

Salvation of Post-Modern Aesthetics of Sublimity:An Analysis of Lyotard’s Aesthetics of Sublimity

利奥塔的崇高是后现代崇高的典型代表之一,他的崇高思想是在其解构思想的基础上发展而来,即在元叙事危机中解构同一性、在语言游戏中解构规则、在非线性时间中解构必然。基于这种解构思想,崇高在后现代也发生转向,成为非人、断裂和梦幻的崇高,从而逐渐走上“崇高之死”的道路。那么,要挽救后现代崇高必须打破后现代主义的束缚进行自我救赎,即实现崇高与后现代主体、后现代艺术、后现代文化的可通约性,实现崇高范畴的全新演绎。

Lyotard’s post-modern thoughts on sublimity deconstruct homoousia in the meta narrative crises,deconstruct rules in language games and deconstruct inevitability in the non-linear time.According to Lyotard’s deconstruction thoughts,sublimity becomes a non-human,broken and dreamlike sublimity,which is a dead road.To save the post-modern sublimity,it is necessary to reduce the restrictions of post-modernism by connecting sublimity with the post-modern subjects,arts and cultures and enlarging the categories of sublimity.