李健吾印象批评中的审美理想探微

Study of Aesthetic Ideals in Li Jianwu’s Impression Criticism

审美理想在李健吾印象批评视域中呈现出清晰的表达路径,即批评主体以“自我经验”在“印象”的场域中,达成“灵魂奇遇”,进而实现文学批评审美理想的升华。首先,审美理想,暗示了李健吾印象批评的艺术品格;其次,李健吾对于批评主体的建构,为其审美理想的表达,提供了承担元素,以存在意义上的批评主体为支撑,主体自我经验为根基,印象批评形成了其“灵魂奇遇”的审美理想表达机制;最后,“印象”则以场域的开放态势,为其审美理想的表达提供了语境依托。

In the perspective of Li Jianwu’s impression criticism,the aesthetic ideal presents a clear expression path,that is,the subject of criticism achieves“soul adventure”in the field of“impression”with“self experience”,and then realizes the sublimation of the aesthetic ideal of literary criticism.First of all,the aesthetic ideal implies the artistic character of Li Jianwu’s impression criticism;second,Li Jianwu’s construction of the subject of criticism provides a bearing element for the expression of his aesthetic ideal.With the criticism subject in the sense of existence as the support and the subject’s self experience as the foundation,the impression criticism forms the expression mechanism of his aesthetic ideal of“adventure of soul”;finally,“impression”takes the open state of field,which provides context support for the expression of aesthetic ideal.