语言·场景·精神性:《哪吒之魔童降世》的“当代性”特征及其重构

Language,Scene and Spirituality:The Modernity of Nezha and Its Reconstruction

“当代性”是指一种主体对当代社会的适应性和对审美现代性的追寻态度,旨在用“我们时代”的话语去重新建构经典,从而实现艺术作品的“当代性”重构,动画电影《哪吒之魔童降世》便呈现出这种“当代性”影像的风貌。首先,以狂欢式语言和当代哲理性语言为起点,深入分析该片“网感”十足的语言建构;其次,借“陌生化”和“挪用”等当代性概念,解读该片“熟悉的陌生化”的场景创设;最后,从由“道”之精神符号引出“我命由我不由天”的宣言出发,探析“道与命运”的精神性传达。

Modernity refers to is a situation that subjects adapt to modern societies and pursue modern aesthetic approaches.It reconstructs classics with the“our-time”discourse to achieve the modernity of art works.This article analyzes the internet languages of Nezha from its carnival and philosophical languages,interprets its“familiar strangeness”scenes by using the modern concepts of“strangeness”and“borrowing”,and explores its spiritual pursuit of“Dao”and destiny from the proclamation of“my life is in my hands”.