论刘三姐歌谣文化中生命美学的呈现

On the Presentation of Life Aesthetics in Liu Sanjie’s Ballad Culture

刘三姐歌谣是广西歌谣文化中的重要组成部分,是我国民族文化的一种表现形式,刘三姐歌谣主要是通过语言和传唱的方式,在社会发展过程中不断传承和完善,有着广泛的群众基础和文化影响力。刘三姐歌谣内容十分丰富,蕴含着深刻的哲学意义,既包含了刘三姐创作的歌谣,又收集了后人创作的一些民谣,充分反映出了壮族人民的社会生活形态,本文从生命美学的角度分析了刘三姐歌谣的文化内容,希望以此为基础,加深人们对壮族生命美学的了解。

Liu Sanjie’s ballads are an important part of Guangxi’ s ballad culture and a form of expression of China’ s national culture. Liu Sanjie’ s ballads are mainly passed on and improved in the process of social development through language and transmission, and have a broad mass base and cultural influence. Liu Sanjie’s ballads are rich in content and contain profound philosophical significance. They not only contain the ballads created by Liu Sanjie, but also collect some ballads created by later generations, which fully reflect the social life form of Zhuang people. This paper analyzes the cultural content of Liu Sanjie’s songs from the perspective of life aesthetics, hoping to deepen people’s understanding of Zhuang’s life aesthetics.