摘要
徽州古城岩是“海阳八景”之一的“寿山初旭”景观所在地,古城岩的图像生成于明代中后期,该图以山川版画的形式在传达古城岩景观风貌的同时,也以文人文化实践的方式重构其历史记忆和文化格局。同时在方志山川图中,古城岩图像同样潜藏着当时徽州地方意识的书写。这也是明代中后期冶游风气盛行、“八景”文化滥觞、新安画派和徽派版画成熟的重要凭证。
Ancient city rock in Huizhou is one of“the Eight Sceneries of Haiyang”,where the“Shoushan sunrise”scenery can be seen.The image of the ancient city rock was generated in the middle and late Ming Dynasty.In the form of mountain and river prints,this picture not only conveys the landscape style of ancient city rock,but also reconstructs its historical memory and cultural pattern by means of literati cultural practices.In the local chronicles of mountains and rivers,the image of ancient city rock also contains Huizhou local consciousness at that time.In fact,this is also an important proof of the popularity of tourism,“the Eight Sceneries”culture and the mature of Xin’an school of painting school and Hui-style print in the middle and late Ming Dynasty.
作者
洪胜利
Hong Shengli(Art College of Anhui University,Anhui University,Hefei 230601,China)
出处
《黄山学院学报》
2021年第4期6-10,共5页
Journal of Huangshan University
基金
安徽省教育厅高校人文社会科学研究重点项目(SK2018A0022)。
关键词
徽州
古城岩
八景
“寿山初旭”
山川图
Huizhou
ancient city rock
the Eight Sceneries
“Shoushan Sunrise”
landscape of mountains and rivers