摘要
现代高温色釉绘画图式的呈现基本上是对中、西方艺术原有图式与艺术观念为他者镜像的征引下再造而成的。探寻现代高温色釉绘画图式多样性的逻辑性起点,实际上是对高温颜色釉独特的工艺与材质美感“自我性”的扩展与构建。其对任何一种艺术形式图式化的征引与在此基础上的再造,都将成为对这种审美经验进行整理、概括的结果。
The presentation of modern high-temperature colored glaze painting schema is basically a re creation of the original schema and artistic concept of Chinese and Western art for the mirror image of the other. To explore the logical starting point of the diversity of painting patterns of modern high-temperature color glaze is actually the expansion and construction of the "self" of the unique process and material beauty of high-temperature color glaze. It will be the result of sorting out and generalizing the aesthetic experience by quoting and reconstructing the schematization of any art form.
作者
杜跃
李磊颖
DU Yue;LI Leiying(School of fine arts and design,Shangrao Normal University,Shangrao 334000,China;Jingdezhen Ceramic Institute,Jingdezhen 333000,China)
出处
《中国陶瓷》
CSCD
北大核心
2021年第8期113-119,共7页
China Ceramics
基金
2018年度江西省文化艺术科学规划项目(YG2018006)。
关键词
高温色釉
绘画表现
图式构建
High temperature colored glaze
Painting performance
Schema construction
