宋元时期中国与日本的书法文化交流略论——以“和样”与“禅宗书法”为中心

Preliminary Discussion on the Exchange of Calligraphy Culture between China and Japan during Song-Yuan Period

中日书法艺术交流是东亚“丝绸之路”文化的一个不可或缺的组成部分。在两宋和蒙元时代(960-1368年)为中心的历史时期,中日两国正式的官方联系中断甚至发生过元朝的两次渡海入侵。在日本,正是“唐样”“和样”两大书式并行发展、“和样”书法占据主流地位的阶段。值得注意的是,在“尚意”书风和“尚意”的审美观念的影响下,日本的“禅宗书法”得到充分的发展,其中的“峻烈”书风可能一直影响到近现代的日本书道。

The exchange of calligraphy art between China and Japan is one of the most important parts of Silkroad Culture.Traced back the historical period concentrated on Song and Yuan Period(960-1368),the official diplomatic relationship between the two countries was temporary interrupted,and even two invasions across the sea were organized by Yuan government.In Japan,there are two parallel calligraphy styles called Chinese style and Japanese style developed,and calligraphy with Japanese Style took the main role in this period.It is worthy to notice that the Zen School Calligraphy was fully developed by the influence of mind-centered style and related aesthetic conception.The steep-fierce style of calligraphy even has a continuously influence on the modern Japanese Calligraphy.