陀思妥耶夫斯基复活主题的叙述形式

The Narrative Form of the Resurrection Theme of Dostoevsky

家人离世和濒临死亡的经历使陀思妥耶夫斯基产生了复活的渴望。尼·费奥多罗夫提出的复活事业的哲学也坚定了他的复活信仰。陀思妥耶夫斯基不仅信仰复活,其作品也蕴含着精神复活的主题。“消失的”时间、内视角、简练的景物描写和“复活的”自然等共同建构了陀思妥耶夫斯基作品的复活主题。“消失的”时间强化了小说的精神氛围,内视角展现人物内心的细微变化,概括的景物描写和“复活的”自然描写弱化了小说的现实感,也突出了自然的宗教功能和主观性。

The death of Dostoevsky’s family and his own near-death experience prompt his desire for resurrection.In addition,the resurrection career proposed by Fyodorov also strengthened his belief of resurrection.He believed in resurrection and his novels also contained the theme of spiritual resurrection.This essay attempts to elucidate that the“vanishing”time,internal focalization,the brief scenery description and the resurgent nature collectively constitute the formal aspect of his resurrection theme.The“vanishing”time intensifies the spiritual atmosphere in the fiction.The internal focalization renders the subtle changes of character’s inner state.The profiled depiction of nature and the detailed depiction of the resurgent nature weaken the sense of reality,highlighting the religious function and subjectivity of nature.