论朱光潜书法美学思想

On Zhu Guangqian’s Calligraphy Aesthetics

书法作为中国典型的、本土的艺术形态,承载着中国传统艺术精神。而在中国现代美学的发展中,书法作为艺术的合法性在其他现代艺术的对比中曾受到质疑。朱光潜从哲学、美学、艺术学、心理学四个维度勾勒出书法艺术在现代的发展线索,明晰了书法艺术的地位、特征、价值和意义所在,对于书法美学的发展具有重要的方法意义和理论价值。

As a typical and local art in China,calligraphy carries the spirit of traditional Chinese art.In the development of Chinese modern aesthetics,the legitimacy of calligraphy as an art has been questioned in comparison with other modern arts.Zhu Guangqian outlined the development clue of calligraphy art in modern times from the four dimensions:philosophy,aesthetics,art science and psychology,and clarified its status,characteristics,value and significance,which has important methodological significance and theoretical value for the development of calligraphy aesthetics.