谈谈安大一《诗经》从“手”的新见形声字

On the Newly Seen Phonosemantic Characters with the“Hand”Radical in the Anda Shijing manuscript

安大一《诗经》从“手”的新见形声字有四例:“■”“■”“■”与“■”。“■”字对应今本《毛诗》“掺”,《说文》引《诗》作“攕”,“■”为“攕”的异体字,都是为表示手纤细而造的专字,简本的“■”为声符,既表音亦表意。“■”字对应今本《毛诗》“升”,“■”为强调“在手”的专字,与“升”字为义近替换关系。“■”字对应今本《毛诗》“匊”,“■”即为《说文》“■”字,“■”与“■”左右偏旁互换,“■”省略“■”字右旁的“■”形,“■”是“掬”字异体。“■”字对应今本《毛诗》“笃”,简本的“■”可读为“擣”,“■”与“擣”为异体字。

There are many new phonosemantic characters in the Anda bamboo slips Shijing 诗经,among which there are four new phonosemantic characters that have the“hand”radical,■,■,■ and ■.The word ■ corresponds to chan 掺 in the current Mao Odes 毛诗,and the Shuo wen 说文 gives it as xian 攕 based on the Shi 诗.It is likely that ■ is a variant of 攕,meaning“slender hand”.■ in the manuscript is phonosemantic.■ is used in the Mao Odes for sheng 升 and it emphasizes that something is“in hand”and is exchangeable with sheng 升.■ corresponds to ju 匊 in the Mao Odes and corresponds to ■ in Shuo wen,with the left-right arrangement of the components turned around.■ omits ■ present in ■ and ■ is a variant of ju 掬.The manuscript’s ■ corresponds to du 笃 in the Mao Odes and can be read as dao 擣.Dao 擣 and ■ are variants.