黄梅挑花方巾婚恋主题图案分析及其文化探究

Analysis on the Theme Pattern of Marriage and Love of Huangmei Cross-Stitch and its Cultural exploration--Take the pattern of the square towel with flowers as an example

[研究意义]通过分析黄梅挑花婚恋主题图案,探究黄梅挑花图案在婚恋礼中形成的文化寓意。[研究方法]文章以人生四大礼仪中的婚恋主题图案作为研究对象,对黄梅挑花文献、民间作品进行归纳整理、图文采集,以此来分析黄梅挑花题材在婚恋主题中的造型元素及造型结构。[研究结果与结论]研究认为:黄梅挑花图案存在非必要构成元素和必要构成元素,主要以团花、填花、边花、角花、花边进行构成;图案造型结构规律以格律体、平视体搭建构图;鱼、蝴蝶等自然物归纳于繁衍生育崇拜,龙、恩哥蟠桃逐渐演变成情感生活寄托,成为文化寓意的凝聚和体现。通过对黄梅挑花婚恋图案元素构成、造型结构进行规律性的总结,可帮助现代设计师更加理性地了解婚恋主题图案,并从中提取设计灵感并赋予现代服饰文化特色。

Through the analysis of the Huangmei cross-stitch theme pattern,the paper discusses the cultural implication formed by the Huangmei cross-stitch pattern in the wedding ceremony.Taking the marriage and love theme patterns in the four eti⁃quette of life as the research object,this paper summarizes and collates the literature and folk works on picking flowers of Huang⁃mei cross-stitch and collects pictures and texts,so as to analyze the modeling elements and modeling structure of the theme of picking flowers of Huangmei cross-stitch in the marriage and love theme.It is concluded that there are non-essential elements and essential elements in the pattern of picking flowers of Huangmei cross-stitch,mainly composed of group flowers,filling flowers,edge flowers,corner flowers and lace.The pattern modeling structure law constructs the composition with the rhythmic body and the horizontal view body;Fish,butterfly and other natural objects are summed up in the worship of reproduction,while dragon and boon copanpeach gradually evolve into emotional life sustenance,and become the aggregation and embodiment of cultural implication.By summarizing the regularity of the elements and modeling structure of huang Mei's love and marriage pat⁃terns,it can help modern designers to understand the theme patterns of love and marriage more rationally,extract design inspira⁃tion from them and endue the cultural characteristics of modern clothing.