“环北部湾”少数民族音乐研究四十年的实践与反思(1980-2020)

Practice and Reflection on the 40-year Study of Ethnic Minority Music in the"Rim Beibu Gulf"(1980-2020)

民族音乐学在中国四十载的研究实践,其学理视角从早期对西方学科理论的“套用”,逐渐开始转向本土化理论建构与“中国经验”的探索和积累。在这期间,无论是对传统研究对象的静态共时性书写,还是新兴对象的动态关注,少数民族音乐研究都为其打开了“新视界”,其内部存在的多重可能性也为国际民族音乐学理论的中国实践提供了多样化的范本。其中,由琼、粤、桂、滇形成的“环北部湾”区域的少数民族音乐亦成为民族音乐学论题(Issue)的重要“发生地”。

In the 40 years of ethnomusicology research practice in China,the academic perspective of ethnomusicology has gradually shifted from the early "application" of Western disciplinary theory to the exploration and accumulation of localization theory construction and "Chinese experience".During this period,whether it is the static synchronic writing of traditional research objects or the trend attention of emerging objects,the study of ethnic minority music has opened a "new horizon" for it,and its multiple possibilities also provide a diversified model for the Chinese practice of intern ational ethnomusicology theor y.Among them,the minority music in the area around the Rim Beibu Gulf formed by Hainan,Guangdong,Guangxi,and Yunnan has also become an important "place of occurrence" for the ethnomusicology issues.