舞蹈创作应是真实生命积极的个性活动--赵大鸣舞蹈美学思想述评

Dance Creation Should be a Positive Individual Activity of Real Life--Comment on Zhao Daming's Dance Aesthetics

赵大鸣作为活跃于20世纪80年代的舞蹈理论家,在我国舞蹈美学观念变革历程中发表了众多具有思辨性的观点。在“舞蹈美学热”的讨论中,其对于舞蹈理论的认识基点是建立在重视舞蹈艺术自身规律性的基础上,从形式与内容的关系切入,赵大鸣抓住了“舞蹈观念更新”的本质,认为舞蹈形象所表现内容的真实与深刻性至关重要,并通过对贾作光、孙龙奎二人作品的分析提炼出“第三种舞台民间舞创作意识”。在“龙年笔会”中,他进一步提出舞蹈创作是真实生命积极的个性活动。进入20世纪90年代后,延续着“舞蹈观念更新”的思考,赵大鸣通过对张继钢舞蹈作品的美学分析,提出民间舞创作不应是“形式决定内容”而要由“内容决定形式”。进入新世纪后,面对着大歌舞时代的来临与舞蹈诗的空泛,他更为清醒地认识到切莫把“大歌舞”的“场面招数”当成了当代舞剧的“诗化叙事”,我们的舞剧的确是要有所准备去努力探索!

As a dance theorist active in the 1980s,Zhao Darning has expressed many views reflecting his critical thinking during the transformation of Chinese dance aesthetics.In the discussion of "dance aesthetics craze",his understanding of dance theory is based on the importance of the regularity of dance art itself.From the relationship between form and content,Zhao Darning grasped the essence of "renewal of dance concepts".He believes that the authenticity and profoundness of the content of the dance image is very important,and through the analysis of the works of Jia Zuoguang and Sun Longkui,the "third kind of stage folk dance creative consciousness" is refined.In "The Year of the Dragon Pen Club Conference",he further proposed that dance creation is a positive personality activity of real life.After entering the 1990s,continuing the thinking of "renewal of dance concepts",Zhao Darning,through an aesthetic analysis of Zhang Jigang’s dance works,proposed that the creation of folk dance should not be "form determines content" but rather "content determines form".After entering the new century,facing the advent of the da ge wu(great singing and dancing) era and the emptiness of dance poems,he realized more clearly that we must not regard the "scene tricks" of the "great singing and dancing" as the "poetic narrative" of contemporary dance drama.Our dance drama indeed needs to be prepared to work hard to explore!