黄檗禅僧独立性易的书学与日本书法

Calligraphy Theory of Huangbo Zen Buddhist Monk Duli Xingyi and Japanese Calligraphy

东渡日本的黄檗禅僧中,独立性易以其兼容程朱、陆王的思想,既强调天道的规定性,又重视人心的主体地位,体现出独特的精神文化追求。性易的书法理论和创作均表现出独立于“黄檗三笔”之外的特殊性,摆脱宋元文人书画为中心的艺术追求,返本溯源,重回晋唐书风,最终在日本江户时代另立门户,形成独立的流派,是这一时期中日文化交流的重要方面。

Among the Huangbo zen monks in east Japan,Duli Xingyi followed the thoughts of Cheng Zhu and Lu Wang,which not only emphasized the regulation of the way of heaven,but also attached importance to the dominant position of the human heart,reflecting the unique spiritual and cultural pursuit.His calligraphy theory and calligraphic works showed the particularity of being independent of Huangbo's three calligraphers and painters,got rid of the artistic pursuit of literati painting and calligraphy in the Song and Yuan Dynasties and returned to the origin and the style of calligraphy in the Jin and Tang Dynasties.Finally,in the Edo era of Japan,an independent school of calligraphy was established,which was an important aspect of the cultural exchange between China and Japan in this period.