接受与传达:仇英画作与朝鲜半岛题画诗文

Acceptance and Transmission: Qiu Ying’s Paintings and the Poems for Paintingson the Korean Peninsula

明代画家仇英的作品朝鲜朝中期传入朝鲜半岛,继而朝鲜文人创作出一系列与其画作相关的题画诗文。仇英画作的东传不仅是朝鲜文人对异国文化的简单接受,更是朝鲜朝题画诗文的一次“艺术事件”。借此不仅能够在“文化场域”中重新看待朝鲜文人在“诗画一体”价值观念下对仇英绘画作品的本土化接受,也进而可以揭示出他们在崇明排清的文化心理和藩属关系更迭的忧患意识下,渴望在绘画审美之外实现富国强兵的愿望。

In the middle of the Joseon Dynasty,the introduction of the paintings by Qiu Ying,the Chinese painter of Ming Dynasty,aroused a series of poem creation related to his paintings among the literati on the Korean Peninsula.The reinterpretation of the spreading and acceptance of Qu’s paintings is helpful to review Korean literati’s idea of"the unity of poems and paintings,their awareness of hardship about the changes of the vassal relationship with the Ming and Qing Dynasties,and their desires to realize the prosperity of the country beyond the world of aesthetics.