地域文化视角下桃源木雕的文化内涵研究

Study on the Cultural Connotation of Taoyuan Woodcarving from the Perspective of Regional Culture

桃源木雕作为桃源地区的一种民间艺术形态,它的艺术形式体现了桃源地区特定的文化内涵。从艺术人类学的视角出发,梳理桃源木雕的地域与历史文化渊源。通过对桃源木雕的文化属性解析,揭示了桃源木雕中蕴含的人与自然和谐共存,楚巫文化及儒、道思想互融的思想与审美内涵。从图像学的视角解析,桃源木雕独有审美样式展现了桃源人热情质朴、开放率真的性格与族群文化认同的属性,及其藏礼于器、寓教于物的社会教化功能。通过对桃源木雕艺术特色分析,挖掘出桃源木雕的艺术价值与文化价值。

As a form of folk art in the Taoyuan area,Taoyuan wood carving and its art form reflect the specific cultural connotation of the region.From the perspective of artistic anthropology,this paper sorts out the geographical and historical origins of Taoyuan woodcarving.Through the analysis of the cultural attributes of Taoyuan woodcarving,it reveals the ideological and aesthetic connotations behind the carvings,they are the mentality of harmonious coexistence of man and nature,witchcraft culture of Chu district,and the fusion of Confucianism and Taoism.Analyzed from the perspective of iconology,the unique aesthetic style of Taoyuan woodcarving demonstrates the enthusiasm,simplicity,openness,honesty,and cultural identity of the Taoyuan people.Also,it shows its social enlightenment function through hiding rituals in utensils and edutainment in objects.Through the analysis of the artistic characteristics of Taoyuan woodcarving,its artistic value and cultural value are excavated.