摘要
钱钟书的文论思想是20世纪中西文化碰撞、交融的产物。他突破了学科的藩篱,打通古今,汇通中西,以一种宽广的视野,将多种文学现象融会贯通,并结合自己个性化的审美经验和创作感受,探本溯源,寻求跨文化跨地域的共同规律。他的文论思想散见在不同的篇章里,这些“碎片”式的文论思想可以概括为文学发展论、文学本体论和文学创作论三方面。
Qian Zhongshu's literary theory is the product of the collision and blending of Chinese and western cultures in the 20th century.He broke through the barriers of discipline,integrated all kinds of literature phenomena with his own aesthetic and creative experience to trace to the source and to seek common literary law of cross culture and region.This paper attempts to pick these decentralized“sporadic impression”in order to summarize Qian Zhongshu's“fragments”literary theory of literature into three aspects—Literature development theory,the literary ontology and literary creation theory.
作者
赵丽娜
ZHAO Li-na(College of arts,Changchun University,Changchun,Jilin 130022,China)
出处
《沧州师范学院学报》
2021年第3期70-74,共5页
Journal of Cangzhou Normal University
基金
吉林省哲学社科规划项目“网络文艺学研究”,编号:No.2019JB906W05。
关键词
钱钟书
文论思想
文学发展论
文学本体论
文学创作论
Qian Zhongshu
literary theory thought
Literature development theory
literary ontology
literary creation theory