摘要
中国艺术离开象牙塔复归社会,是当下中国文化复兴、社会振兴的表现,也是国家社会复归大制不割、复归于朴的本末相因。而具体艺术的思行实践应该复归到哪里?这个答案取决于个体如何互动于当下激变的公共场域以及社会治理现代化的微观现场——城乡社区。本文以四川美术学院的艺术共建生态社区为案例展开讨论——艺术行动如何真正参与基层社区的价值共建、行为共同与生态共生,以重寻艺术常青的本源。
The departure of Chinese art from the ivory tower to return to society is a manifestation of the current Chinese cultural rejuvenation and social revitalization, and also the final cause for the restoration of the national society and the return to simplicity. And where should the practical exercise of specific art return to? This answer depends on how individuals interact with the currently changing public space and the micro-scene of the modernization of social governanceurban and rural communities. This paper takes the ecological community with the artjoint construction of Sichuan Academy of Fine Arts to discuss-how art action can truly participate in the value construction, behavior common and ecological symbiosis of grassroots communities, so as to question the life source of art.
出处
《公共艺术》
2021年第4期26-34,共9页
Public Art
关键词
生态艺术
社区共建
生态社区
参与式艺术
社会治理
ecological art
community joint construction
ecological community
participatory art
social governance