摘要
由何志森改造的“菜市场美术馆”是基于日常生活现象的批判性作品,日常生活批判的目的在于真实地改变空间社会关系。与其他建筑师不同,何志森以“不造物”的方式艺术性地介入日常生活,并主张每位摊主都从空间出发做自己的作品,从而居有自己的生存空间。从这个意义上说,菜市场美术馆构造了一个真正意义上的正义社会、人文城市的基本模型和终极目标。
The Vegetable Market Art Museum reshaped by He Zhisen is a critical work based on the phenomenon of daily life.The purpose of daily life criticism is to truly change the spatial social relationship.Unlike other architects,He Zhisen artistically intervenes in daily life in a"non-creating"way,and advocates that each stall owner should start from the space to make his own work,so as to occupy his own living space.In this sense,the Vegetable Market Art Museum has constructed a basic model and ultimate goal of a truly just society and a humane city.
出处
《公共艺术》
2021年第4期102-107,共6页
Public Art
关键词
菜市场美术馆
城市权利
策展
公众主体
vegetable market art museum
the right of the city
curation
public subject