摘要
21世纪诗歌中的乡土写作存在表意的困境,这种困境隐含在其所构建的主体语象之内。“村庄”语象尽管诠释了诗人们充满噬痛感的表达,但它本身嵌构在城乡悖论的单维空间之内,并未跳出原有的表意维度;“火车”语象则在鲜明的现实感中生成,这使其更多地成为一种工具性的载体,来连接空间意义上的乡村与城市,由此限制了其表意体系的拓展。
In the country writing of poetry of the 21st century exists a signifying dilemma,a dilemma hidden in the subject image that it constructs.“Village,”although a verbal image annotating the expression of gnawing pain of the poets,is confined to its original annotation dimensions as it is constructed in the mono-dimensional space in the village-city contradiction.The verbal image“train”generates from distinctive sense of reality and thus becomes a vehicle of tool linking up village and city in the spatial sense.It is in this way that its signifying dimensions are restricted.
作者
张凯成
ZHANG Kaicheng(School of Literature,Capital Normal University,Beijing 100089)
出处
《楚雄师范学院学报》
2021年第5期62-68,共7页
Journal of Chuxiong Normal University
基金
中国博士后科学基金第68批面上资助项目“中国当代诗歌语象变迁研究(1949-2010)”(2020M682456)。
关键词
21世纪诗歌
乡土写作
诗歌语象
村庄
火车
poetry of the 21st century
country writing
poetic verbal image
village
train