摘要
国外纪录片对“一带一路”建设的媒介再现主要采取了“经济扩张框架”与“合作发展框架”。这两种框架的建构逻辑可以基于历史语境、创作者的身份以及纪录片的创作规律予以观照。今后应增强“对话”意识,加强中华传统文化中“和”的思想的传播,利用纪录片的媒介特性增强“一带一路”沿线民众对共同体的认同等,从而更有效地推动“一带一路”对外传播。
In foreign documentaries,the media representation of the“Belt and Road”construction is mainly achieved through“economic expansion framework”and“cooperative development framework”,whose construction logic is often based on the historical context,creator’s identity and composing rules of documentaries.In the future,we should promote the awareness of“dialogue”,greatly spread the idea of“harmony”in traditional Chinese culture and enhance the recognition of the community among the people along the“Belt and Road”by using the media characteristics of the documentary to further promote the overseas publicity of the“Belt and Road”.
作者
陈家洋
杨紫涵
CHEN Jiayang;YANG Zihan(School of Public Administration,Hohai University,Nanjing,Jiangsu,211100,China)
出处
《江西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2021年第3期73-80,共8页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基金
河海大学中央高校基本科研业务费项目“人类命运共同体理念下‘一带一路’对外传播话语体系建构研究”(编号:2018B21114)。
关键词
纪录片
一带一路
阐释模式
再现
框架
documentary
Belt and Road
interpretative mode
representation
framework