元明清文人剧源流与新变探析

Origins and Changes of Scholar Opera in Yuan,Ming and Qing Dynasties

文人剧自提出之始,就成为了戏曲史上的一个特定的概念,专指明中叶以后由文人创作的符合他们审美意趣的短杂剧。但任何艺术形态的出现都应该有其源流,本文试图通过提出"元代文人剧"的概念,来寻找明清文人剧在元代的雏形,探究明清文人剧产生的源流,以及这些元代杂剧作品对明清文人剧的发展所产生的影响。同时,文章也试图探讨明清文人剧在继承了"元代文人剧"作品特质的基础上究竟有何新变,才使其最终能在古代戏曲史上独树一帜。

Scholar opera of Ming and Qing dynasties,since it was put forward,has been a specific concept in the history of Chinese classical opera,which refers to the short operas created by scholars in line with their aesthetic interest.But we know,no form of art can emerge in a vacuum.The essay tries to search the Yuan Dynasty for the embryonic form of scholar opera of Ming and Qing dynasties,as well as its influences,and to explore the new changes in the scholar opera of Ming and Qing Dynasties based on its inheritance from Yuan Operas,which made them unique in the history of ancient of Chinese opera.