闽南打城戏研究

Research on Dacheng Opera in the Southern Fujian

打城戏是闽南地区特有的地方戏种,它不仅蕴含着丰富的闽南文化元素,而且有着依附于宗教(佛教、道教)法事的特殊身份。闽南打城戏的研究立足于闽南地方社会,透过田野访谈、文献分析等研究方法梳理打城戏的历史渊源、种类、文化价值,其中包括闽南族群对打城戏聚合和分化的历史认同过程,以及闽南族群对打城戏的社会认知,从而阐释其在闽南社会中的角色与地位及其与闽南族群的多重认同关系,构筑一个呈现于海上丝绸之路的闽南打城戏与闽南族群的戏曲空间和认知场域,为闽南打城戏的传承和闽南族群的凝聚提供新的思路与方法,以弘扬中国传统文化,促进文化艺术发展。

Dacheng opera is a unique local opera in the southern Fujian.It not only contains rich southern Fujian cultural elements,but also has a special identity attached to religious rituals(Buddhism,Taoism).because the Dacheng opera in the southern Fujian is in a serious decline and some materials have been scattered and lost,the urgency of the research on Dacheng opera has been significantly increased.The research on Dacheng Opera in the southern Fujian is based on the local society of Fujian and Taiwan.Through field interviews,document analysis and other research methods,this paper has sorted out the historical origin,types,and cultural value of Dacheng Opera,including the process of historical identification of Dacheng Opera aggregation and tillering by the ethnic groups in South Fujian,along with the social cognition of Dacheng Opera by the Minnan ethnic group,which explains its role and status in Fujian-Taiwan society and its multiple identity relationship with the Minnan ethnic group,constructing an opera space and cognitive field for the Dacheng operain the southern Fujianthe Minnan ethnic group on the Maritime Silk Road.Besides,this paper proposessome new ideas and methods for the inheritance of Dacheng opera in Fujian and Taiwan and the cohesion of ethnic groups in southern Fujian,benefiting politics,economy and culture in the community of shared future,promoting cross-strait political mutual trust and the integration of culture and art.