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N.凯瑟琳·海耶斯的后人类主义理论研究:从数字人文到技术认知

A Study of N.Katherine Hayles's Posthumanism:From Digital Humanities to Technological Cognition
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摘要 N.凯瑟琳·海耶斯是是一位当代文学理论家,在三十余年的学术历程中,她的研究主要集中于数字人文、比较媒介、美国文学、女性主义文学等领域,既有基于现代社会情境与新的知识因素的理论性探索,也包括文学实践层面上的具体研究。海耶斯始终关注技术与人文的关系,并由此构建其后人类主义文学理论的基本框架。探讨海耶斯后人类主义文学理论的内涵,需要从其文理兼备的知识背景出发,关注其学术研究历程中的跨学科轨迹。同时需要从海耶斯对“数字”与“人文”及其关系的阐发,来理解海耶斯从比较媒介与技术认知的视角对后人类主义文学理论的建构,并由此进一步把握其理论的现实关注与知识向度。 N.Katherine Hayles is a contemporary literary theorist.During the more than 30 years of the academic course,her research mainly focuses on digital humanities,comparative media,American literature,and feminist literature.Her research includes not only theoretical explorations based on modern social situations and new knowledge factors but also specific studies on the level of literary practice.Hayles has always paid attention to the relationship between technology and humanities and thus constructed the basic framework of her posthumanism literary theory.In the study of the connotation of Hayles'posthumanism theory,her knowledge background with both liberal arts and science and the interdisciplinary trajectory in her academic research process should be noted.It is also necessary to study the construction of her posthumanism theory from the perspective of comparative media and technological cognition from Hayles'interpretation of the relationship between“digital”and“humanities”,so as to further grasp the realistic concerns and knowledge dimension of her theory.
作者 郭琳 GUO Lin(School of Chinese Studies,Nanchang Normal University,Nanchang 330032,China)
出处 《南昌师范学院学报》 2021年第4期67-72,98,共7页 Journal of Nanchang Normal University
基金 国家社科基金项目“数字人文视域中的隐喻理论研究”,编号:19BZW021 江西省高校人文社会科学研究项目“21世纪以来的马克思主义艺术生产论的知识范型与特征研究”,编号:ZGW17111。
关键词 海耶斯 后人类主义 数字人文 技术认知 Hayles posthumanism digital humanities technological cognition
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