摘要
随着智能终端的不断普及和进化,竖屏短剧基于自身独特的沉浸式以及良好的交互性体验优势,为微剧的热潮提供了新的视角和方法,成为生活于“垂直世界”中的受众“玩转”手机屏幕的“游戏场”。文章引用斯蒂芬森所提出的传播游戏理论,对爱奇艺视频推出的竖屏短剧《导演对我下手了》的传播游戏策略和创作技巧进行分析,并给出其在移动互联时代的困境和突破的可能性解答。
With the continuous popularization and evolution of intelligent terminals,based on its unique immersion and good interactive experience advantages,vertical screen short plays provide a new perspective and method for the upsurge of micro dramas,and become a“game ground”for audiences living in the“vertical world”to“play around”the mobile screen.Based on the communication game theory put forward by Stephenson,this paper analyzes the communication game strategy and creative skills of the vertical screen short play“The Director Started on Me”launched by IQIYI video,and gives its dilemma and possible solutions in the era of mobile Internet.
作者
金珊
JIN Shan(Fujian Commercial College,Fuzhou 350000,China)
出处
《哈尔滨学院学报》
2021年第9期92-95,共4页
Journal of Harbin University
基金
福建商学院校级科研项目:传播游戏理论视域下的中国特色竖屏短视频研究,项目编号:2019sysk17。
关键词
传播游戏理论
竖屏短剧
《导演对我下手了》
communication game theory
vertical screen short plays
“The Director Started on Me”