论新世纪诗歌的“复数”乡愁

The Nostalgic Writing of Poetry in the New Century

新世纪诗歌的乡愁书写,具有“复数”的多面与多变。乡愁书写宏观呈现为“城乡共愁”,中观体现为“地域狂欢”,微观体现为“雅俗交杂”,多种样态的乡愁表达形成了复调争鸣式的“众声喧愁”。乡愁诗歌的“复数”,开启了诗歌个性化的“再度寻根”,可纾解当前人类社会的现代焦虑,可疗愈当代人的身份断裂与认同创伤,为新世纪乡愁诗歌探索新生之路。乡愁诗歌“复数”的记忆铭刻,呼应了“记住乡愁”的时代思潮,从个人记忆、社会记忆、生态记忆等方面体现了新的精神探索。新世纪乡愁诗歌的“复数”,也为海内外华语诗歌跨域对话提供了可能,乡愁是华语文学场域内的一种共识性情感。相较于台湾地区文学和海外华语文学,中国大陆的乡愁诗歌书写能够重启风尚推动对话,通过诗人诗作间的跨域交流,形成海内外诗人间乡愁书写的相互照亮,进而助力华语诗歌乡愁书写走向彼此成就。

The nostalgic writing of poetry has“plural”facets and changes in the new century,manifested macroscopically as“shared urban-rural nostalgia”,mesoscopically as“region-specific carnival”,and microscopically as a“hybrid of the refined and the popular”.The“plural”significances of nostalgia opens up new,personalized root-searching in poetry.It can relieve the modern anxiety of current human society,heal the identity fracture and identity trauma of contemporary people,and carve out a new path for nostalgic poetry in the new century.The“plural”engraved memories in nostalgic poetry echo the zeitgeist of“remembering nostalgia”,and reflects a new spirit of exploration in personal,social and ecological memories.The“plurality”of nostalgic poetry in the new century also provides the possibility for cross-domain dialogue between Chinese poetry at home and abroad.Nostalgia is a consensus emotion in the field of Chinese literature.Nostalgic poetry writing in the Chinese Mainland can restart fashion and promote dialogue.In the cross-regional exchanges of poets and poems,the nostalgic writing of poets at home and abroad can be mutually illuminated,which is also conducive to the common prosperity of the nostalgic writing of Chinese poetry.