摘要
梁巘是清乾隆年间六大书家之一。其书学米芾、苏轼、董其昌、李邕和“二王”等,而受李邕影响最大。梁巘用印组合方式及其变化有一定的规律性,署名习惯也有一个由繁到简、渐趋符号化的演进过程。在《梁巘全集》所收131件墨迹中,有29件应系伪作。
LIANG Yan was one of the six great calligraphers during the reign of Emperor Qianlong(1711—1799)in Qing Dynasty.His calligraphy was influenced by MI Fu,SU Shi,DONG Qichang,LI Yong and“Two WANG Masters”(WANG Xizhi&WANG Xianzhi).Of them,he was mostly influenced by LI Yong.There is a certain regularity concerning the combinations and changes in his seal-stampings.And there is also an evolution of his habit of signing names from complexity to simplicity that gradually became symbolic.Of the 131 calligraphy works collected in The Complete Works of LIANG Yan,29 pieces were supposed be fake.
作者
熊言安
XIONG Yan'an(College of Humanities,Anqing Normal University,Anqing,Anhui 246011,China)
出处
《贵州大学学报（艺术版）》
2021年第5期77-85,共9页
Journal of Guizhou University Art Edition
基金
2020年国家社科基金项目“苏轼书迹及其相关诗文编年辑校研究”(项目编号:20BZW063)。
关键词
梁巘
李邕
《承晋斋积闻录》
用印组合方式
署名习惯
LIANG Yan
LI Yong
A Treatise on Calligraphy Written in Cheng-Jin-Zhai Study(Cheng-Jin-Zhai-Ji-Wen-Lu)
combination of seal-stamping
habit of signing name
