摘要
本文从抽象雕塑的兴起及对纪念碑雕塑的影响、西方隐寓性纪念碑雕塑和中国20世纪以来的抽象性纪念碑雕塑三个方面展开论述,通过对国内外代表性案例的分析提出,中外抽象性纪念碑雕塑虽然在内容和形式上有相似之处,但中国的抽象性纪念碑雕塑是以"意象"为主,集具象、抽象和意象于一体,有别于西方抽象性纪念碑雕塑中的抽象。
This research examines abstract monumental sculpture from three aspects:the emergence of abstract sculpture and its influence on monumental sculpture,metaphorical monumental sculpture in the western world,and abstract monumental sculpture in China since the 20 th century.By analyzing typical cases overseas,the author proposes that despite similarities in the contents and forms of abstract monumental sculpture in China and abroad,abstract monumental sculpture in China focuses on"imagery"and combines representational,abstract and imagery natures into one,which is different from the abstraction in western abstract monumental sculpture.
出处
《美术》
CSSCI
北大核心
2021年第9期17-21,共5页
Art Magazine
关键词
抽象
纪念碑雕塑
兴起
探索
abstract
monumental sculpture
emergence
exploration