金代瓷枕“山水图像”的艺术表现

Artistic Expression in“Landscape Paintings”on the Porcelain Pillows During the Jin Dynasty

相对于备受瞩目的宋元山水画,在金代统治下的华北地区山水画,却较少为美术史家提及。尽管近年来学界基本认定为存世可靠的金代山水画作品仅10余件,但这一时期的山水图像却广泛绘制于磁州窑瓷枕枕面及侧立面上。瓷枕幅面近于卷轴画,山水图像表现单纯,适宜进行风格分析,故而本文将12方金代磁州窑山水瓷枕按照绘画空间构图进行风格分类,并与同时期山水画作品进行比较研究,以期得出更多与金代山水画有关的认知信息,为存在争议的金代山水画的断代提供辅证和依据。

Compared with landscape paintings during the Song and Yuan Dynasties which have attracted a lot of attention,those in the Northern China under the Jin Dynasty’s rule have been rarely mentioned by art historians.Despite the fact that only a dozen of existing pieces have been recognized by the academic world,landscape images of that period of time were widely painted on the front and on the side of the pillows produced in the Cizhou Kiln.As the upper side of the pillow was used like the scroll of a painting,and the pictorialized landscape was usually painted in a semplice way,those works were suitable for style analysis.Therefore,this research classifies 12 porcelain pillows with landscape paintings produced in the Cizhou Kiln according to their composition of the paintings,and compares them with landscape paintings during the same period of time.The objective of this research is to have more and deeper understandings on landscape paintings in the Jin Dynasty so that more supportive evidences and references relating to the disputed dynasties division of landscape paintings in the Jin Dynasty.