摘要
让·福特里埃是法国20世纪中期最重要艺术家之一,他在二战期间独创的厚涂法与半抽象化风格,突破了架上油画包含的诸多传统价值观,并且直接影响了战后抽象表现主义的诞生。除了在绘画领域的突破与创新,福特里埃还通过在艺术品印刷领域的实践,进一步解构传统的艺术本体论。作为"非定型"艺术奠基人,福特里埃却始终与这一标签保持距离。本文通过研究福特里埃的风格演绎与其"非定型"艺术,更有效地确认这位艺术家在世界艺术史中的坐标与价值。
As one of the most significant French artists in the mid-20 th century,Jean Fautrier created a unique style of impasto and semiabstraction during WWII,breaking through a variety of conventional values of easel painting and facilitating the birth of post-war abstract expressionism.In addition to the breakthroughs and innovations in the painting world,Fautrier also deepened his deconstruction of conventional art ontology through real practices in artwork printing.Thought the founder of"Art Informel"himself,Fautrier has maintained a distance away from that title.This research identifies more effectively the position and value of this artist in the world history of art through studying his styles and his"Art Informel".
出处
《美术》
CSSCI
北大核心
2021年第9期129-133,共5页
Art Magazine
