论粤剧梆子腔的板式衍生

On the Rhythm Derivative of Cantonese Opera Bangzi Tune

以秦腔为代表的北线梆子腔具有独板单套、四板分起联套等板式特点;以豫剧为代表的南线梆子腔具有独板单套、三板分起联套等板式特点。粤剧梆子腔源自南北线梆子腔,其对南北线梆子腔的板式结构既有继承又有发展,并衍生出了独具“粤性化”的慢板单套、嵌入式曲体结构、前后联套布局等三大板式特点。厘清粤剧梆子腔的板式结构,对于从整体上研究和把握粤剧非物质文化遗产的曲体结构和声腔形态等,具有重要的学术意义。

The northern bangzi opera represented by Qinqiang Opera has the characteristics of a single rhythm,a single set of four rhythm,and so on.The Southern bangzi opera represented by Henan opera,has the characteristics of a single rhythm and a single set of three rhythm.Derived from the Northern and Southern bangzi opera,Cantonese Opera bangzi has inherited and developed their rhythm stmcture.And derived from the unique Cantonese opera features adagio single rhythm,embedded music stmcture,as well as the combination of front and back rhythms.To clarify the pattern structure of Cantonese Opera bangzi have important academic significance to study the musical structure and voice cavity morphology of Cantonese opera and other intangible cultural heritages as a whole.