“声音”与“乐谱”:土家族打溜子曲牌结构的互文性

Music Score and Sound:An Intertextuality Study on Structure of Tujia-Daliuzi Tune

以土家族打溜子①曲牌的创作过程为研究对象,考察不同时期打溜子“声音”与“乐谱”文本间的互文性关系,探究艺人运用移位、引用、拼贴、重写等手法,探析当下打溜子曲牌创作的重组规律,阐明土家族打溜子曲牌的程式性与引文性特征,探讨其音乐生成过程在表演场域中“能指”意义的转换及应用。

Dedicated to the study of the creation process of the Tujia-Daliuzi tunes,this paper examines the intertextual relationship between its score and sound texts in different periods,and explores the artist’s skills,such as using displacement,quotation,combination and rewriting,that reorganization law of Daliuzi tune in present day.At the same time,in order to clarify the stylistic and quotational characteristics of Tujia-Daliuzi tunes,this article discusses the conversion and application status of its notation text and sound text in the current performance field.