福柯僭越的文学体现

Transgression in Foucault’s Perspective on Literature

米歇尔·福柯宣告了现代文学的范式即萨德的书写,其本质是僭越的书写,其特点在于统一有限性与无限性以及内在性和外在性,同时具有折返性。在福柯看来,僭越书写是主体构成的方式,作为书写的作者,他僭越于不同学科之间,形成一种独特的多重性,通过考察作品的时间和空间可以得出这样一个结论:僭越的现代文学呈现为主体性的消解、作品与读者的视域融合以及书本的复写。"僭越"书写形式将自我流散于不稳定、非现实的语言编码之中,形成了作品-读者-时间-空间-作者的多维度事件。

Michel Foucault announces that Sade is the very paradigm of modern literature,the essence of which is the transgressive writing.It is a unity of the finite and the infinite,the interior and the exterior,which is also reflexive.According to Foucault,transgressive writing is a way to construct the subject.As an author who writes,he transgresses between different disciplines and forms his own unique multiplicity.A conclusion can be made in terms of the time and the space of literary works:the transgressive modern literature takes the form of the erased identity/subjectivity,and realize the fusion of the readers’vision as well as the"double"of books.The transgressive writing positions itself in the drifting unreal language code and forms a multi-dimensional event composed of works,readers,time,space and authors.